Victoria Adukwei Bulley interviews poet Mantra Mukim about his debut collection, Glitchwork (the87press, 2026). They discuss the grid or mesh as a form of poetics; a failed moon landing thwarted by unexpected error that informed Mukim's writing; other inspirations from visual art and music, like Nasreen Mohamedi and Aphex Twin; and the influences of growing up in the industrial and forest landscapes of Central India.

Isabella Peralta, who is part Filipino and Spanish, grew up in the Philippines on a former US naval base, consuming delightful varieties of Filipino foods and American media. In this evocative piece of life writing, she reminisces about her year working in Madrid, finding a sense of familiarity in instant ramen and an East Asian supermarket — a common, comforting presence for Asians living in global metropolitan cities. In the face of homesickness, dislocation, and growing anti-Asian sentiment, Peralta's experiences as an ethnically ambiguous, hybrid Filipino woman in Spain reflect how foods, objects, memories, smells, and tastes can furnish a sense of home across racial, linguistic, and geographical barriers. With an illustration by Simone Khanyi Hadebe.

Irish translator and scholar Ellen Corbett explores how some Irish writers have resisted or deferred the translation of their work into English — given the minoritisation of the Irish language and its 'definitely endangered' status. Unpacking the tumultuous, colonial history between the two languages, Corbett examines the varying stances of non-compliance poets like Biddy Jenkinson and Louis de Paor have taken in the past. What does this mean for Irish writers and translators today, who must tussle between greater international recognition and market reach, and preservation and authenticity?